Cover Image: April 2001 Scientific American Magazine See Inside

Art as a Form of Life [Preview]

More copies exist of one of his works than of all previous artworks by all prior artists. Yet his self-replicating creations have never been exhibited in the United States.















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JOE DAVIS:  Genestheticist

  • Walked into the M.I.T. Center for Advanced Visual Studies uninvited in 1982. Secretary called the cops. Forty-five minutes later, Davis walked out with an appointment as a research fellow.
  • Latest project is to build a biomechanical ornithopter powered by electrically stimulated frog legs and to fly it across the Charles River.
  • Uses hollow steel peg leg to open beer bottles, to accompany the band (bugle-style) at his local bar, and to charm curious women at parties. " data-pin-do="buttonBookmark">

    JOE DAVIS: Genestheticist
    • Expelled from three high schools and two colleges: for writing about atheism, refusing a haircut, making a still (which exploded), being elected student body president on a "free marijuana" platform and working on an underground anti-war newspaper.
    • Walked into the M.I.T. Center for Advanced Visual Studies uninvited in 1982. Secretary called the cops. Forty-five minutes later, Davis walked out with an appointment as a research fellow.
    • Latest project is to build a biomechanical ornithopter powered by electrically stimulated frog legs and to fly it across the Charles River.
    • Uses hollow steel peg leg to open beer bottles, to accompany the band (bugle-style) at his local bar, and to charm curious women at parties.
    Image: KATHLEEN DOOHER

  • CAMBRIDGE, MASS.--Either Joe Davis is late or I am lost. I check my watch and look for the third time at the address he gave me for the studio where he creates his avant-garde art: Massachusetts Institute of Technology, building 68, sixth floor, room 604D. Here it is, locked and looking nothing like an artist's workshop. "SEVERE EYE DAMAGE" cautions a sign on the door, referring to a laser (not the artworks) inside. There are trash bins marked "WARNING: RADIOACTIVE WASTE," walk-in refrigerated vaults containing cells in stasis, ultracentrifuges the size of washing machines. But no paints, no cameras, no sculpting tools.

    I wander downstairs to the office of Alexander Rich, the biophysicist who famously discovered left-handed DNA (the normal stuff twists to the right), who worked out the structure of transfer RNA, who last year won the $250,000 Bower award, and who invited Davis into his lab in 1992 as a "research affiliate," which grants Davis a space to work and access to the lab's expensive tools but no financial support. There is still no sign of Davis, until I press my nose against the window of a door into a small white room.


    This article was originally published with the title Art as a Form of Life.



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