FRACTAL, BUT NOT A POLLOCK: Researchers say that fractal patterns are no reliable way to distinguish genuine Pollock drip paintings from similar works such as this fractal-laced creation of two undergraduate students.
Image: ALEXANDRA ASH AND MICHAEL HALLEN
A new study attacks the technique of using fractals, the repeating patterns found in everything from coastlines to fern fronds, to help distinguish authentic Jackson Pollock drip paintings from paint splattered by lesser hands.
In a paper submitted for publication to a major physics journal, researchers report that previously published criteria for identifying genuine Pollocks based on the presence of fractals—patterns that recur in varying sizes like Russian dolls nested inside one another—would wrongly grant Pollock status to a pair of amateur drip paintings.
Some researchers, however, are skeptical that the new method faithfully replicates that of University of Oregon physicist Richard Taylor, who first reported eight years ago that five Pollock paintings contained distinctive splatters within splatters, which he has attributed to the way "Jack the Dripper" swayed over the canvas while dribbling paint from brushes, sticks or straight from the can.
The Pollock–Krasner Foundation, which represents the estates of Pollock and his wife Lee Krasner, commissioned Taylor last year to examine six of 32 alleged Pollock drip paintings for fractal clues as to whether the master dripper (dead since 1956) had truly created them; the paintings, discovered in 2003, turned up fractalless.
Upon learning the news, physicists Katherine Jones–Smith and Harsh Mathur of Case Western Reserve University in Cleveland, Ohio, published their own Nature paper reporting the discovery of a similar fractal signature in quick sketches of different size stars or circles.
Jones–Smith had drawn the images two years earlier while preparing a presentation on Taylor's work, which she initially believed was correct. Much to her surprise, she discovered that her unsophisticated images contained seemingly identical fractal patterns.
To rebut the obvious counterargument—that stars look nothing like drip paintings—she, Mathur and Case Western cosmologist Lawrence Krauss have now analyzed three known Pollock drip paintings that Taylor had not examined in detail: Free Form (1946), Untitled (circa 1950) and Wooden Horse: Number 10A, 1948.
After using one of two separate computer techniques to isolate splatter marks of different colors, the researchers scanned for fractals in each layer of color by digitally counting colored pixels (or boxes) of various sizes. In this type of fractal, the number of boxes of each size relates to the box size raised to a power that holds constant over a range of sizes.
None of the Pollocks met stringent fractal criteria, although Free Form did satisfy what they consider a loose definition of a fractal and Wooden House failed its test in only two of six colors, they report in their paper submitted to Physical Review Letters, which has yet to be reviewed by other scientists.
Further complicating matters, the researchers identified fractals in two drip paintings created for the study by students [see image above]. They next examined two of the alleged Pollocks studied by Taylor, one of which, chosen for its resemblance to Free Form, passed the loose fractal test, whereas the other, resembling Wooden Horse, failed the test.
The new results clash with a 2006 Pattern Recognition Letters paper in which Taylor and colleagues reported identifying an identical fractal pattern in 14 known Pollocks but not among 37 drip paintings by University of Oregon undergraduates or 14 paintings of unknown origin thought to date to Pollock's era.
"Our position," Mathur says, "is that fractal analysis doesn't allow you to have a position" on the authenticity of a Pollock.
Hany Farid, a professor of computer science at Dartmouth College in New Hampshire who has followed the debate, says he sees flaws in the new study. "I think they took a fairly simplistic way of separating those colors," which he says could have skewed their results.
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4 Comments
Add CommentI am interested in the paint
Reply | Report Abuse | Link to thismedium of works on paper
around 1940's could it be an early acrylic based paint or
one Pollack made himself.
Is it Pollack
Reply | Report Abuse | Link to thisOr is it fake?
Does it lack
some data break?
Did Pollack plot
Some corner on style?
That others cannot
Share after a while?
Is Pollack the only one
To match the data plot
Because of what he's done
To make the style he's got?
Or is a pattern a pattern
And a data plot objective
So others have their turn
To be Pollack subjective?
Is Pollack the only one
Reply | Report Abuse | Link to thisTo match the data plot
Just because of what he's done
To make the style he's got?
Or is a pattern a pattern
That is a plot objective?
So that others can learn
To make Pollack subjective?
Why does that painting look familiar,asked the space traveler of his companion. "Io don't know " was the reply.
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