Cover Image: June 2006 Scientific American Magazine See Inside

Cracking the Da Vinci Code [Preview]

What do the Mona Lisa and President Abraham Lincoln have in common?














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Spanish painter El Greco often depicted elongated human figures and objects in his work. Some art historians have suggested that he might have been astigmatic--that is, his eyes' corneas or lenses may have been more curved horizontally than vertically, causing the image on the retina at the back of the eye to be stretched vertically. But surely this idea is absurd. If it were true, then we should all be drawing the world upside down, because the retinal image is upside down! (The lens flips the incoming image, and the brain interprets the image on the retina as being right-side up.) The fallacy arises from the flawed reasoning that we literally "see" a picture on the retina, as if we were scanning it with some inner eye.

No such inner eye exists. We need to think, instead, of innumerable visual mechanisms that extract information from the image in parallel and process it stage by stage, before their activity culminates in perceptual experience. As always, we will use some striking illusions to help illuminate the workings of the brain in this processing.


This article was originally published with the title Cracking the Da Vinci Code.



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