Embodied Cognition: Our Inner Imaginings of the World around Us Make Us Who We Are [Excerpt]

Cognitive scientist Benjamin K. Bergen’s Louder Than Words: The New Science of How the Mind Makes Meaning recounts that the parts of the brain engaged when throwing a baseball also fire up when visualizing the same action















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LOUDER THAN WORDS

From LOUDER THAN WORDS: The New Science of How the Mind Makes Meaning, by Benjamin K. Bergen. Image: Available from Basic Books, a member of The Perseus Books Group. Copyright © 2012

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Editor's note: This excerpt of a chapter from Louder Than Words: The New Science of How the Mind Makes Meaning by Benjamin K. Bergen (Basic Books, 2012)  relates that our brain’s capacity to both perceive a pig and then imagine what the animal is like, even one that flies, points to an essential cognitive skill that makes humans different from all other species.

Excerpted from Louder Than Words: The New Science of How the Mind Makes Meaning by Benjamin K. Bergen. Available from Basic Books, a member of The Perseus Books Group.  Copyright © 2012.

Starting as early as the 1970s, some cognitive psychologists, philosophers, and linguists began to wonder whether meaning wasn’t something totally different from a language of thought [Call it Mentalese, whichtranslates words into actual concepts: a polar bear or speed limit, for instance]. They suggested that—instead of abstract symbols—meaning might really be something much more closely intertwined with our real experiences in the world, with the bodies that we have. As a self-conscious movement started to take form, it took on a name, embodiment, which started to stand for the idea that meaning might be something that isn’t distilled away from our bodily experiences but is instead tightly bound by them. For you, the word dog might have a deep and rich meaning that involves the ways you physically interact with dogs—how they look and smell and feel. But the meaning of polar bear will be totally different, because you likely don’t have those same experiences of direct interaction.

    If meaning is based on our experiences in our particular bodies in the particular situations we’ve dragged them through, then meaning could be quite personal. This in turn would make it variable across people and across cultures. As embodiment developed into a truly interdisciplinary enterprise, it found footholds by the end of the twentieth century in linguistics, especially in the work of U.C. Berkeley linguist George Lakoff and others; in philosophy, especially in work by University of Oregon philosopher Mark Johnson, among others; and in cognitive psychology, where U.C. Berkeley psychologist Eleanor Rosch’s early work led the way.

     The embodiment idea was appealing. But at the same time, it was missing something. Specifically, a mechanism. Mentalese is a specific claim about the machinery people might use for meaning. Embodiment was more of an idea, a principle. It might have been right in a general sense, but it was hard to tell because it didn’t necessarily translate into specific claims about exactly how meaning works in real people in real time. So it idled, and it didn’t supplant the language of thought hypothesis [Mentalese] as the leading idea in the cognitive science of meaning.

     And then someone had an idea.
     It’s not clear who had it first, but in the mid-1990s at least three groups converged upon the same thought. One was a cognitive psychologist, Larry Barsalou, and his students at Emory University, in Georgia. The second was a group of neuroscientists in Parma, Italy. And the third was a group of cognitive scientists at the International Computer Science Institute in Berkeley, where I happened to be working as a graduate student.  There was clearly something in the water, a zeitgeist. The idea was the embodied simulation hypothesis, a proposal that would make the idea of embodiment concrete enough to compete with Mentalese. Put simply:

  • Maybe we understand language by simulating in our minds what it would be like to experience the things that the language describes.

     Let’s unpack this idea a little bit—what it means to simulate something in your mind. We actually simulate all the time. You do it when you imagine your parents’ faces, or fixate in your mind’s eye on that misplayed poker hand. You’re simulating when you imagine sounds in your head without any sound waves hitting your ears, whether it’s the bass line of the White Stripes’ Seven Nation Army or the sound of screeching tires. And you can probably conjure up simulations of what strawberries taste like when covered with whipped cream or what fresh lavender smells like. You can also simulate actions. Think about the direction you turn the doorknob of your front door. You probably visually simulate what your hand would look like, but if you’re like most people, you do more than this. You are able to virtually feel what it’s like to move your hand in the appropriate way—to grasp the handle (with enough force to cause the friction required for it to move with your hand) and rotate your hand (clockwise, perhaps?) at the wrist. Or if you’re a skier, you can imagine not only what it looks like to go down a run, but also what it feels like to shift your weight back and forth as you link turns.

     Now, in all these examples, you’re consciously and intentionally conjuring up simulations. That’s called mental imagery. The idea of simulation is something that goes much deeper. Simulation is an iceberg. By consciously reflecting, as you just have been doing, you can see the tip—the intentional, conscious imagery. But many of the same brain processes are engaged, invisibly and unbeknownst to you, beneath the surface during much of your waking and sleeping life.  Simulation is the creation of mental experiences of perception and action in the absence of their external manifestation. That is, it’s having the experience of seeing without the sights actually being there or having the experience of performing an action without actually moving.

     When we’re consciously aware of them, these simulation experiences feel qualitatively like actual perception; colors appear as they appear when directly perceived, and actions feel like they feel when we perform them. The theory proposes that embodied simulation makes use of the same parts of the brain that are dedicated to directly interacting with the world. When we simulate seeing, we use the parts of the brain that allow us to see the world; when we simulate performing actions, the parts of the brain that direct physical action light up. The idea is that simulation creates echoes in our brains of previous experiences, attenuated resonances of brain patterns that were active during previous perceptual and motor experiences. We use our brains to simulate percepts and actions without actually perceiving or acting.

    Outside of the study of language, people use simulation when they perform lots of different tasks, from remembering facts to listing properties of objects to choreographing a dance. These behaviors make use of embodied simulation for good reason. It’s easier to remember where we left our keys when we imagine the last place we saw them. It’s easier to determine what side of the car the gas tank is on by imagining filling it up. It’s easier to create a new series of movements by first imagining performing them ourselves. Using embodied simulation for rehearsal even helps people improve at repetitive tasks, like shooting free throws and bowling strikes. People are simulating constantly.

    In this context, the embodied simulation hypothesis doesn’t seem like too much of a leap. It hypothesizes that language is like these other cognitive functions in that it, too, depends on embodied simulation. While we listen to or read sentences, we simulate seeing the scenes and performing the actions that are described. We do so using our motor and perceptual systems, and possibly other brain systems, like those dedicated to emotion. For example, consider what you might have simulated when you read the following sentence... :

  • When hunting on land, the polar bear will often stalk its prey almost like a cat would, scooting along its belly to get right up close, and then pounce, claws first, jaws agape.

   To understand what this means, according to the embodied simulation hypothesis, you actually activate the vision system in your brain to create a virtual visual experience of what a hunting polar bear would look like. You could use your auditory system to virtually hear what it would be like for a polar bear to slide along ice and snow. And you might even use your brain’s motor system, which controls action, to simulate what it would feel like to scoot, pounce, extend your arms, and drop your jaw. The idea is that you make meaning by creating experiences for yourself that—if you’re successful—reflect the experiences that the speaker, or in this case the writer, intended to describe. Meaning, according to the embodied simulation hypothesis, isn’t just abstract mental symbols; it’s a creative process, in which people construct virtual experiences—embodied simulations—in their mind’s eye.



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  1. 1. marclevesque 11:59 AM 12/28/12

    "Furthermore, if we indeed make meaning through simulating sights, sounds, and actions, that would mean that our capacity for meaning is built upon other systems, ones evolved more directly for perception and action."

    "built upon other systems, ones evolved more directly for..." seems to be one option. Nevertheless, in my opinion a more consistent understanding, and one that has been around for a very long time, is that meaning is and has always been co-constructed, and has always co-evolved, with systems for perception and action.

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  2. 2. Kahiwalani 03:31 PM 12/28/12

    kahea

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  3. 3. choppam 07:27 AM 12/29/12

    For an earlier and infinitely more interesting discussion of this kind of projective nonsense, check out the debate between Lenin and Ernst Mach regarding empirio-criticism. Here are a couple of links to Lenin's 1908 book, Materialism and Empirio-Criticism, which contains all the further references needed:
    http://marxistphilosophy.org/LenEmpCrit1.pdf
    http://www.marxists.org/archive/lenin/works/1908/mec/index.htm

    Simulating my godlike hand in the jaws of Fenrir the wolf is one thing, simulating the movements of quarks and muons, or the behaviour of brutalized atoms in the core of the sun or a black hole is quite another. Thought, language and meaning are articulated and mediated in ways that a MRI scan still can't quite capture. In a lot of ways the discussion hasn't really progressed beyond Hegel, who managed to dissolve the antinomial agnosticism of Kant and move on, and opened the way to materialist dialectical realism in science, more or less consciously in the work of Marx, Einstein, and Chomsky, and unconsciously and reluctantly in the work of all scientists worthy of the name.
    If a book like Benjamin Bergen's can revive the debate, so much the better. But "new science"? Hah.

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  4. 4. leif.sterner 12:39 AM 1/5/13

    I have always thought of pigs-wings as batlike.

    On a planet with small gravity and dense atmosphere they would be functional.
    The mental blueprint for this creature was probably the "Overlords" in Arthur C Clarkes novel Childhoods End.

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  5. 5. Edward ! 02:26 PM 1/6/13

    This discussion evokes the Cambridge EEG research that indicates when we use the word 'arm' in sentence it produces an excitation in the motor homunculus at the site controlling arm movements.

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  6. 6. brublr 02:11 PM 1/19/13

    Reading the April, 2007 article,"The Movies in our Eyes" will inform those interested that the eyes send crude imagery over 12 separate circuits to the cortex which hallucinates that which we perceive as reality. Lucid dreaming produces this same hallucinatory experience as the same level of perception. Feedback sensation, walking etc. is also complete as touch and sensory input. For Embodied Cognition, it's a complete experience.

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  7. 7. jayjacobus 01:43 PM 1/24/13

    There is sometimes a need for new words because existing words are ambiguous, imprecise, confusing or technically obsolete.

    "Qualia" is a word that begs to be replaced because only a few people comprehend its meaning therefore it is confusing to many people.

    "Soul" refers to the essential, conscious self but most people think of the soul as immortal. A new word is needed to satisfy non-believers who question immortality.

    A new word for "memory" may be needed as well but this is not obvious to me.

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  8. 8. jayjacobus 03:19 PM 1/31/13

    Embodied simulation describes a physical process or the results of a physical process?

    If I simulate the potential damage of a hurricane, the simulation is not real. The simulation has no purpose without human analysts to react to the simulation.

    If the insurance company or civil planner reacts to the simulation, their reactions are not part of the simulation.

    Embodied simulated of sound is what I hear or the testable neurological signals that arise from sound waves?

    Sound (or any other sense) has no meaning without the awareness of the inner self.

    The phrase "embodied simulation" is confusing.

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  9. 9. choppam 04:15 AM 2/1/13

    jayjacobus is right about the confusion. There's an interplay between reality and perception of it, and perception itself is a reality, so we have perceptions of perception. It's like consciousness and self-consciousness, and this relationship has been a central problem for philosophy. One of the most primitive responses has been to invent a previous cause, and stop the infinite regression by calling some given cause final or ultimate or prime or whatever. This "embodied simulation" nonsense is the same kind of thing - what it doesn't do is answer the question of reality, ie what is being simulated.
    This is a philosophical perpetuum mobile that pretends it isn't.
    Now Kant was smart, so he stopped his infinite regression pain by claiming that the ultimate ground for everything was ultimately unknowable, which was the agnostic thing to do. Hegel was smarter but far less diplomatic, and said "look, reality and our perception of it is full of contradictions, live with it", and moved beyond Kant, opening the way for Marx to move beyond the whole supernatural 'perception/consciousness/thought first' approach.
    For empirical beings, we are very attached to abstract ideas. The reason is simple - we process continuous empirical reality including ourselves using discrete abstract reflections of it in thought. So if you want to call this processing 'simulation', be my guest. Ditto if you want to be empirical by calling it 'embodied'. Well done. Which leaves us as bodies that think. Square one.
    Moving in a world of discrete, abstract reflection our mirror minds naturally assume everything is discrete and abstract as soon as it thinks about it, except that the basic presupposition for our survival in reality is concrete continuity. And since survival is opportunistic and iconoclastic, we survive in reality at the expense of broken intellectual dogma, icons and fetishes.
    This drama is entertainingly embodied for me in Lucretius's great Latin poem On the Nature of Things (De rerum natura), and in Hegel's two great works The Phenomenology of the Spirit and The Science of Logic. These are guaranteed pre-Marxist so clear of any ideological tarring and feathering that anything written after 1848 might risk. For a scientific mind they are immensely rewarding, and even a short dip is very invigorating!

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  10. 10. jayjacobus 02:49 PM 2/2/13

    When a person talks about the perception of reality, he is in the inside looking out, but when he talks about his own perception he is in the inside looking in.

    Embodied simulation describes a theoretical process to explain the reality of the mind. But can the mind be understood by looking outside from within. The mind is not real except from inside looking in.

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  11. 11. jayjacobus in reply to jayjacobus 06:14 PM 2/4/13

    In other words, I am aware of the cave, but you must take my word for it. You cannot see that I am aware of the cave by using your senses.

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