How Do Eclipse Photographs Get Made?

Film or digital--how to decide















Share on Tumblr
It's Back! Total Solar Eclipse Hits Skies Friday Find out how eclipses work and where to watch this one  » July 28, 2008



CORONAL FILAMENTS: This image of the total solar eclipse of August 11, 1999, as viewed in Turkey shows faint structures in the corona. Image: Miloslav Druckmüller

Note: This article was published prior to the last total solar eclipse on March 29, 2006.

Since the beginnings of astrophotography, countless images of total solar eclipses have been taken at great expense that contain much information about the corona of the sun. What is the best way to salvage this treasure?

There are three main reasons why photographing total eclipses of the sun is among the most difficult tasks of astrophotography. First, there is the enormous contrast differential that makes it impossible to capture the entire phenomenon in a single shot. This is because photographing a total solar eclipse requires a brightness jump of 1:1,000,000, which no camera, classical or digital, can achieve. Second, there is little room for experimentation. If something goes wrong, it can take years before another experiment can be attempted. And third, processing images of total solar eclipses is a complex and time-consuming procedure for which highly specialized computer programs need to be developed.

Countless astronomers will have to make a decision before the eclipse on March 29, 2006: do I use film, or do I go digital? The answer is anything but simple. These days, most astro images are taken using digital cameras. Compared to classical film, CCD and CMOS chips have a variety of well-known advantages, but also a few disadvantages that may come into play when photographing total solar eclipses.

Classical or digital photography?
The most important advantage of classical photography is the extremely high dynamic range of modern negative films. (Slide films have a higher contrast and lower dynamic range, which is why they are less suitable for eclipse photography.) Modern negative films are capable of being vastly overexposed without reaching maximum image density. Even if the contrast in an overexposed image is very low, it is not zero. The problem with classical films has to do with underexposure. If the quantity of light does not exceed a certain threshold value, the film behaves as if it were not exposed at all.

The most important advantage of digital photography is how easy it is to use. It doesn't have to be chemically developed or digitally recorded. From a scientific perspective, the linearity of the detector elements is a very important characteristic. On the other hand, digital cameras have a low dynamic range and serious problems with overexposure. The chip's output signal is linear up to the point of saturation—after that, it contains no further information about light quantity. As a result, the overexposed portion of an image is simply a white, bleached-out surface.

This is why there is no clear winner in the battle between classical and digital photography. Neither digital nor classical photography can deal effectively with such extremely high contrasts, and as a result no single image—neither digital nor on film—can capture all of the phenomena that the human eye takes in during a total solar eclipse. The strongest argument in favor of digital photography is its ease of use, whereas negative film is unbeatable when it comes to representing phenomena that are highly contrastive (e.g., the pearl necklace phenomenon), and no parts of overexposed images are ever completely bleached out.

The disadvantages of both photographic methods can be overcome by overlaying several digital or digitalized exposures thereby creating a single image. But even if the digital image that is obtained were able to reproduce the brightness and color of the phenomenon correctly in all its parts, without subsequent mathematical processing, the results would still be far inferior to the overall impression made by the solar eclipse on the observing eye. Why is this?



2 Comments

Add Comment
View
  1. 1. Fabrice LOTY 04:40 PM 8/2/08

    If ancient myhts of the nations were permeated by superstitious beliefs, an ancient, yet reliable record dually existed : the Bible. Concerning celestial wonders, the Bible foretold in the book of Acts of Apostles, chapter 2, verse 20 : ‘The sun will be turned into darkness and the moon into blood before the great and illustrious day of Jehovah arrives.’ Recent studies show the sun is not totally immobile. Better, it is turning left and right with an angle less than 30 degrees. In that way, the small dark region in the sun is often exposed, thus allowing complete darkness in the night. As sun thermonuclear energy is running out, this dark region will become sizable, at the appointed time of the reaction. The sun will thus be turned into darkness, and the moon, not receiving enough light from the sun, will rather display infrared light from the nearer planet (Earth), thus being turned into a bloodlike aspect. Similarly, Joshua of old asked for the smaller dark face of the sun to be hidden. Since the moon could step in the miraculous longer day and thus create a disturbing eclipse, Joshua equally asked for the moon to be halted. Another instance of the sun being set to its darker position is when Jesus Christ expired. Darkness covered the region for about one hour.

    Reply | Report Abuse | Link to this
  2. 2. chelseyhecht@yahoo.com 04:23 PM 1/21/09

    what is a esclip

    Reply | Report Abuse | Link to this
Leave this field empty

Add a Comment

You must sign in or register as a ScientificAmerican.com member to submit a comment.
Click one of the buttons below to register using an existing Social Account.

More from Scientific American

See what we're tweeting about

Scientific American Editors

More »

Free Newsletters


Get the best from Scientific American in your inbox

Solve Innovation Challenges

Powered By: Innocentive

  SA Digital

Latest from SA Blog Network

  SA Digital

Science Jobs of the Week

Email this Article

How Do Eclipse Photographs Get Made?

X
Scientific American Magazine

Subscribe Today

Save 66% off the cover price and get a free gift!

Learn More >>

X

Please Log In

Forgot: Password

X

Account Linking

Welcome, . Do you have an existing ScientificAmerican.com account?

Yes, please link my existing account with for quick, secure access.



Forgot Password?

No, I would like to create a new account with my profile information.

Create Account
X

Report Abuse

Are you sure?

X

Institutional Access

It has been identified that the institution you are trying to access this article from has institutional site license access to Scientific American on nature.com. To access this article in its entirety through site license access, click below.

Site license access
X

Error

X

Share this Article

X