About 50 years ago Russian psychologist Alfred L. Yarbus tracked the eye movements of volunteers as they viewed photographs of human faces, and found that the eyes of the portraits were a primary area of interest for most observers....[More]

About 50 years ago Russian psychologist Alfred L. Yarbus tracked the eye movements of volunteers as they viewed photographs of human faces, and found that the eyes of the portraits were a primary area of interest for most observers. In contrast, one hallmark of autism is a lack of attention to faces. But even though we pay lots of attention to the area of the face around the eyes, we are still forced to take lots of shortcuts when figuring out where someone is looking. These sensory shortcuts are what make us so vulnerable to visual illusions involving gaze.  [Less] [Link to this slide]

Not knowing where a person is looking makes us uneasy. For this reason, it can be awkward to converse with somebody with dark sunglasses. And it's why someone might wear dark sunglasses to look "mysterious." A recently identified visual illusion takes advantage of the unsettling effect of uncertainty in gaze direction....[More]

Not knowing where a person is looking makes us uneasy. For this reason, it can be awkward to converse with somebody with dark sunglasses. And it's why someone might wear dark sunglasses to look "mysterious." A recently identified visual illusion takes advantage of the unsettling effect of uncertainty in gaze direction. The "Ghostly Gaze" illusion, by Rob Jenkins (University of Glasgow, U.K.), was awarded the 2nd Prize in the last edition of the Best Visual Illusion of the Year Contest (held May 12, 2008, in Naples, Florida; http://illusioncontest.neuralcorrelate.com). In this illusion, two twin sisters appear to look at each other when seen from afar. But as you approach them, you realize that the sisters are looking directly at you!

The illusion works in this way: it is a "hybrid" that combines two overlapping pictures of the same woman. The two overlapping photos differ in two important ways: their spatial detail (fine or coarse) and their direction of gaze (sideways or straight ahead). The photos that look at each other contain only coarse features, and are thus best seen from afar. The photos that look straight ahead are made up of sharp details, which can be best seen at close range. When you approach the pictures, you are able to see all the fine detail, and so the sisters seem to look straight ahead. But when you move away, the gross detail dominates, and the sisters appear to look into each other's eyes.  [Less] [Link to this slide]

In another example of a hybrid image (see previous slide), this ghostly face appears to look to the left when you sit in front of your computer screen....[More]

In another example of a hybrid image (see previous slide), this ghostly face appears to look to the left when you sit in front of your computer screen. Step a few meters back, however, and she will start to look to the right.  [Less] [Link to this slide]

The Ghostly Gaze illusion is based on the hybrid image technology created by Aude Oliva and Phillippe Schyns at the Massachusetts Institute of Technology....[More]

The Ghostly Gaze illusion is based on the hybrid image technology created by Aude Oliva and Phillippe Schyns at the Massachusetts Institute of Technology. In a shocking example of how perceptual interpretation can vary with viewing distance, Albert Einstein (seen from up close) becomes Marilyn Monroe (seen from a few meters away). For more hybrid images, be sure to visit the hybrid image website.  [Less] [Link to this slide]

SEEING DOUBLE?

But what if you double up the features of a portrait in without overlapping them completely? It's relatively easy to create images in Photoshop in which the eyes and the mouth, but no other facial features, have been doubled....[More]

SEEING DOUBLE?

But what if you double up the features of a portrait in without overlapping them completely? It's relatively easy to create images in Photoshop in which the eyes and the mouth, but no other facial features, have been doubled. The results are little short of mind-bending: as the brain struggles (and fails) to fuse the doubled-up features, the photo appears unstable and wobbly, and observers experience something akin to double vision. The neural mechanisms for this illusion may lie within our visual system's specialized circuits for face perception. If you double up the eyes and mouths in a portrait, the neurons in the face recognition areas of the brain may not be able to process this visual information correctly. Such failure could make the faces more unsteady and difficult to perceive.  [Less] [Link to this slide]

The perceived direction of gaze is also influenced by contextual cues, such as the position of the face and the head. This illusion was described in 1824 by British chemist and natural philosopher William Hyde Wollaston (who also discovered the elements palladium and rhodium)....[More]

The perceived direction of gaze is also influenced by contextual cues, such as the position of the face and the head. This illusion was described in 1824 by British chemist and natural philosopher William Hyde Wollaston (who also discovered the elements palladium and rhodium).  [Less] [Link to this slide]

Have you ever visited an art museum and noticed that the portraits seem to follow you with their eyes? Such eye tracking is not only a B-movie horror flick cliché, but also a powerful illusion that continues to inspire visual science studies....[More]

Have you ever visited an art museum and noticed that the portraits seem to follow you with their eyes? Such eye tracking is not only a B-movie horror flick cliché, but also a powerful illusion that continues to inspire visual science studies. In 2004 vision psychologists Jan Koenderink, Andrea van Doorn and Astrid Kappers from University of Utrecht in The Netherlands, along with James Todd from Ohio State University, concluded that, contrary to popular belief, this compelling illusion does not require special artistic abilities on the part of the painter. Surprisingly, all that is required is that the person portrayed looks straight ahead, and the visual system takes care of the rest. The deceivingly simple explanation is that, although we may look at a picture from various viewing angles, the picture itself never changes. That is, when we look at a real sunset, the visual information that specifies near and far points changes with viewing direction. But when we observe a picture or photograph hanging on the wall, the visual information that defines near and far points remains unaltered, irrespective of viewing angle. Our brain interprets this information as if pertained to a real-world 3-D object, however. The perceptual ambiguity results in the eerie effect of having the eyes of the portrait follow you across the room.  [Less] [Link to this slide]

A fascination with eyes is not solely a human trait. Many species of fish, insects, and even birds sport false (one could say illusory) eyes on their wings, stalks, and yes, even the backs of their heads....[More]

A fascination with eyes is not solely a human trait. Many species of fish, insects, and even birds sport false (one could say illusory) eyes on their wings, stalks, and yes, even the backs of their heads. These eye-catching patterns serve to dissuade and confuse potential predators. So get an eyeful of the false-eye designs in the accompanying slides!  [Less] [Link to this slide]