New Issue: Orbital Catastrophe Ahead? Read Now

Gravitational Waves Are the Ringing of Spacetime

The universe is a noisy place, but we didn’t always have the right ears to hear the sounds—until now.

Join Our Community of Science Lovers!

Gravitational waves are curves in the shape of space-time that propagate and carry energy.

One way to think about space-time is the curves that things fall along around an object. So I could in some sense paint the shape of space-time by dropping things around the Earth and watching them fall.

Now if the Earth were to move around and collide with the sun those curves have to change with them, and it creates like a wave, like a wave in water. And that's what a gravitation wave is.


On supporting science journalism

If you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.


So let's say you have two black holes colliding. They're like mallets on a drum:  the shape of the drum begins to rumble in response to the motion of those mallets.

If you were to record the shape of a ringing drum you would play that back as sound.

And that ringing of the shape of space-time travels through the universe at the speed of light, basically unimpeded until it washes over the Earth.

And so when it's played back to us it will be played back as different sounds. So let's say two black holes collide. It has a very characteristic, what we call a chirp. It gets louder and higher in frequency as the black holes collide and you literally hear this sort of chirping up sound.

The big ambition with these experiments is to record the shape of space-time ringing, and to reconstruct the motion of the mallets and the shape of the mallets. And what was going on when that sound was emitted, however long ago, a billion years ago, or however long ago.

—Janna Levin

Lydia Chain is a freelance science journalist, podcaster, and videographer. She hosts Undark's podcast, and also writes about nature, the environment, and evolution, especially when it involves the intersection of humans and wild spaces or animals behaving strangely.

More by Lydia Chain

Subscribe to Support Independent Journalism

Great science journalism requires human expertise, time, effort and creativity. And it costs money. That’s why I and the journalists here at Scientific American hope you’ll join our community.

When you subscribe, you are supporting staff and freelance journalists who are passionate about telling science stories that are true, important and compelling. Our editors and reporters are often experts in their fields, which means they understand the nuances of big discoveries and can untangle the breakthroughs from the hype. With a subscription, you are also supporting rigorous fact-checking to ensure the words we publish are precise and accurate. And you’re supporting original illustrations, graphics and photos that bring you closer to an advanced laboratory, an ice sheet in Antarctica or a space mission in orbit. You’re helping us craft other types of high-quality journalism as well: Our newsletters are carefully written, edited and curated by staffers you have or will come to know and love. Our Science Quickly podcast is based on original reporting, collaboration with editors and scientists and exacting production.

Subscriptions keep this engine running so we can continue to deliver thoughtful, rigorous and independent science journalism to you. In an era of viral misinformation, this work is crucial. If you value what we do, I hope you’ll consider joining us as a subscriber

Thank you,

Jeanna Bryner, Editor in Chief, Scientific American

Subscribe