There are things in that [wall]paper that nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern.
—From “The Yellow Wallpaper,” by Charlotte Perkins Gilman

The protagonist in Charlotte Perkins Gilman's 1892 short story “The Yellow Wallpaper” suffers from the most notable case of pareidolia in fiction. Pareidolia, the misperception of an accidental or vague stimulus as distinct and meaningful, explains many supposedly paranormal and mystical phenomena, including UFO and Bigfoot sightings and other visions. In Gilman's story, the heroine, secluded in her hideously wallpapered bedroom and having nothing with which to occupy herself, is driven to insanity—full-blown paranoid schizophrenia—by the woman behind the yellow pattern. As she descends into madness, she comes to believe that she is imprisoned by the wallpaper.

Mental disease can aggravate pareidolia, as can fatigue and sleepiness. After a recent surgery, one of us (Martinez-Conde) noticed faces everywhere, in places as unlikely as the ultrasound images of her left arm during an examination of potential postsurgical blood clots. She realized at once that the ubiquitous faces were the product of lack of sleep and the high titer of pain medication in her bloodstream, so she was more fascinated than concerned. Her doctor agreed but made a note in her file for a different drug regime in the future. Just in case. Luckily, the hospital room's walls were bare, and there was no yellow wallpaper in sight. Our brain is wired to find meaning. Our aptitude to identify structure and order around us, combined with our superior talent for face detection, can lead to spectacular cases of pareidolia, with significant effects in society and in culture.

THE FACE FROM SPACE

 
COURTESY OF NASA

In 1976, as NASA's Viking 1 circled Mars looking for possible landing sites for its sister ship Viking 2, it spotted the likeness of a mile-wide human (or maybe Martian?) face, staring back from the Red Planet's region of Cydonia. Scientists believed that the Martian “sphinx” was one of numerous mesas around Cydonia and that unusual shadows made it look like a humongous head. Conspiracy theorists favored the alternative explanation of a government cover-up, however, and criticized NASA's unsuccessful attempts to hide the remnants of an ancient Martian civilization. Some two decades later, obtaining high-resolution images of Cydonia became a priority for NASA. “We felt this was important to taxpayers,” said Jim Garvin, then chief scientist for NASA's Mars Exploration Program. “We photographed the Face as soon as we could get a good shot at it.” In April 1998 the Mars Orbiter Camera team snapped a picture 10 times sharper than the original Viking photos, revealing the mystifying Face on Mars to be … a mesa.

EYE OF THE TIGER

 
FROM “THE EYE-OF-THE-TIGER SIGN,” BY R. PAUL GUILLERMAN, IN Radiology, Vol. 217; DECEMBER 2000. USED WITH PERMISSION FROM RADIOLOGICAL SOCIETY OF NORTH AMERICA (top left); ANDY GEHRIG © iStock.com (top right)

Neurologists Péricles Maranhão-Filho and Maurice B. Vincent of the Federal University of Rio de Janeiro advocate the use of face-detection illusions as heuristics to help doctors diagnose neurological diseases. One is PKAN, or pantothenate kinase–associated neurodegenerative disease, which results from mutations in the genes encoding the enzyme responsible for the biosynthesis of coenzyme A. Typically PKAN starts during childhood, and most patients lose the ability to walk within 15 years. In MRI images, the brains of PKAN patients show decreased intensity of the globus pallidus (involved in motor control) from iron accumulation, with a central area of increased intensity from necrosis. The image looks decidedly feline, providing the so-called eye-of-the-tiger sign.

SATAN IN THE SMOKE

 
MARK D. PHILLIPS markdphillips.com

Photojournalist Mark D. Phillips captured the World Trade Center, engulfed in smoke and flames, seconds after the second plane attack on 9/11. Unknown to Phillips at the time, the picture, distributed by the Associated Press and published on the front pages of several newspapers, contained the face of none other than the Prince of Darkness. A media frenzy ensued, and Phillips, who retired from photojournalism that same day, received more than 30,000 messages related to the “face of evil” in the murky cloud and the feelings it brought forth in the viewers.

One year later computer scientists Vladik Kreinovich and Dima Iourinski, both then at the University of Texas at El Paso, published a geometric analysis of the face in the photograph, also seen in a different image from CNN. The analysis showed that perturbations in the smoke can consist of horizontal lines (such as the “eyes” and “mouth”) and vertical lines (such as the “nose”) overlaid on a conic surface (the “head”). The scientists concluded that both the background shape (the cone) and the features on the background (horizontal and vertical lines) are naturally explained by the physics and geometry of smoke plumes emanating from fire.

WHERE YOU LEAST EXPECT IT

 
FROM “THE FACE OF TESTICULAR PAIN: A SURPRISING ULTRASOUND FINDING,” by G. GREGORY ROBERTS AND NAJI J. TOUMA, IN UROLOGY, VOL. 78, NO. 3; SEPTEMBER 2011. REPRINTED WITH PERMISSION FROM ELSEVIER (top); COURTESY OF JONATHAN B. BOREYKO AND CHUAN-HUA CHEN Duke University (bottom)
 
ARTWORK: © 2016 SALVADOR DALÍ MUSEUM, INC., ARTISTS RIGHTS SOCIETY (ARS), NEW YORK, 2016; IMAGE: SLAVE MARKET WITH THE DISAPPEARING BUST OF VOLTAIRE, 1940, OIL ON CANVAS, © SALVADOR DALÍ, FUNDACIÓ GALA-SALVADOR DALÍ (ARS), 2016, COLLECTION OF THE SALVADOR DALÍ MUSEUM, INC., ST. PETERSBURG, FLA., 2016; Reproduction, including downloading of ARS members works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York.

Medical imaging is a new fertile ground for pareidolia. Urologists G. Gregory Roberts and Naji J. Touma, both then at Queen's University in Ontario, were shocked to discover a face, contorted in agony, in the scrotal ultrasound images (top) of a 45-year-old man afflicted with severe testicular pain. The doctors toyed with the idea that the image might be a manifestation of Min, the Egyptian god of male virility, but ultimately deemed the facial features in the benign mass accidental.

Physics World reporter James Dacey was similarly startled to discover the face of Beatle Ringo Starr in a series of high-speed images of water drops bouncing on the surface of a lotus leaf, captured by a team of researchers at Duke University (middle).

The brain's capacity to establish false links among things that are not actually connected is essential to the “paranoiac-critical method” artistic technique invented by Spanish surrealistic painter Salvador Dalí. (Paranoia and pareidolia have the same etymology, from the Greek para- for “instead of” and -oid, -oeides or -eidos for “form.”) In Dalí's Slave Market with the Disappearing Bust of Voltaire, several features in Voltaire's face are formed by the bodies of people in the scene (bottom).

Dartmouth College neuroscientist Ming Meng and his colleagues have imaged the brains of observers while they viewed faces and objects that looked like faces. The left fusiform gyrus was activated by both faces and objects resembling them, whereas the right fusiform gyrus showed much stronger activation to actual faces than to look-alikes.