New Views of Dinosaurs Take Center Stage

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Much of what you thought you knew about dinosaurs turns out to be wrong. That's the take-home message from Dinosaurs: Ancient Fossils, New Discoveries, which opened Saturday at the American Museum of Natural History in New York City.

Recent finds and technologies have revolutionized scientists' understanding of dinosaur biology, behavior and even extinction. In one especially well executed display, an animatronic T. rex moves surprisingly sluggishly, minding what researchers now believe was the animal's speed limit of 11 to 16 kilometers an hour--a striking contrast to the car-chasing pace of Jurassic Park's monster. It turns out T. rex was far too massive to be a swift stalker.

Across the way, a 60-foot-long steel-and-fiberglass model of an Apatosaurus skeleton and accompanying video lay to rest another popular notion of dinosaur biomechanics--namely, that the long-necked herbivores could hold their heads high. Computer analyses indicate that the beasts were largely limited to horizontal neck movements.


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Other displays examine what footprints can reveal about dinosaur social structure, the relationship between dinosaurs and living birds and the events that brought the Age of Dinosaurs to an abrupt close. And a rogues gallery of skulls from creatures including Triceratops and Stegosaurus discusses the latest thinking on what purpose their elaborate horns, frills and other adornments really served.

The crown jewel of the exhibition is the 700-square-foot diorama of a forest that existed in China's Liaoning Province 130 million years ago. Widely recognized as one of the most important paleontological sites in the world, Liaoning has yielded exquisitely well preserved remains of organisms ranging from flowering plants to feathered dinosaurs. Many are represented here. Repenomamus giganticus, the largest Mesozoic mammal on record, hunts baby psittacosaurs; Microraptor gui, a four-winged dinosaur, glides between trees; Peipiaosteus pani, a close relative of the modern day sturgeon, swims in a pond under the watchful eyes of waterstriders and dragonflies.

The exhibit, organized by the AMNH in collaboration with the Houston Museum of Natural Science, the California Academy of Sciences in San Francisco, Chicago's Field Museum and the North Carolina Museum of Natural Sciences in Raleigh, will remain on view in New York until January 2006, after which it will travel to the partner institutions.Tickets, which include general admission, are $19 for adults, $14 for students and seniors and $11 for children.

Kate Wong is an award-winning science writer and senior editor for features at Scientific American, where she has focused on evolution, ecology, anthropology, archaeology, paleontology and animal behavior. She is fascinated by human origins, which she has covered for nearly 30 years. Recently she has become obsessed with birds. Her reporting has taken her to caves in France and Croatia that Neandertals once called home to the shores of Kenya’s Lake Turkana in search of the oldest stone tools in the world, as well as to Madagascar on an expedition to unearth ancient mammals and dinosaurs, the icy waters of Antarctica, where humpback whales feast on krill, and a “Big Day” race around the state of Connecticut to find as many bird species as possible in 24 hours. Wong is co-author, with Donald Johanson, of Lucy’s Legacy: The Quest for Human Origins. She holds a bachelor of science degree in biological anthropology and zoology from the University of Michigan. Follow her on Bluesky @katewong.bsky.social

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