New Issue: Science’s Impossible Questions. Read Now

Satellite Surveillance Could Protect Heritage Sites

Satellite surveillance could protect heritage sites

Join Our Community of Science Lovers!


On supporting science journalism

If you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.


The Citadel of Aleppo (aerial view at right) rises above the old city in northern Syria and contains the remains of palaces, mosques and bathhouses dating back to the 10th century B.C. This World Heritage site has been threatened, however, by the country's civil war between rebels and the military of President Bashar al-Assad.

Armed conflicts and natural disasters threaten human life and cultural sites, but putting feet on the ground to assess damage can prove impossible. Instead experts are wielding satellite technology to monitor and protect endangered museums, monuments and other places of historical importance. The Inter-national Council of Museums (ICOM) first teamed up with the United Nations Institute for Training and Research's Operational Satellite Applications Program (UNOSAT) to report on the South Ossetia region during the 2008 Georgia-Russia War. UNOSAT leverages a network of publicly and privately owned satellites to capture the view from above. With those images and coordinates of the area's cultural sites, ICOM drew up a house-by-house assessment in just 24 hours. ICOM has since used satellites to survey damage to ancient mausoleums in Timbuktu during the 2012 civil war in Mali and plans to use them to assess destruction caused by the 2010 earthquake in Haiti.

Intervention may not be possible in regions where conflict still rages, but satellite technology and image analysis can give the council enough information to raise international awareness, appeal to combatants on the ground and make a plan for rehabilitation once the fighting stops.

About Marissa Fessenden

Marissa is a freelance science journalist in Bozeman, Montana. She was an editorial intern with Scientific American from June 2012 through June 2013. Follow on Twitter @marisfessenden

More by Marissa Fessenden
Scientific American Magazine Vol 309 Issue 1This article was published with the title “Art from Above” in Scientific American Magazine Vol. 309 No. 1 (), p. 20
doi:10.1038/scientificamerican0713-20

Subscribe to Support Independent Journalism

Great science journalism requires human expertise, time, effort and creativity. And it costs money. That’s why I and the journalists here at Scientific American hope you’ll join our community.

When you subscribe, you are supporting staff and freelance journalists who are passionate about telling science stories that are true, important and compelling. Our editors and reporters are often experts in their fields, which means they understand the nuances of big discoveries and can untangle the breakthroughs from the hype. With a subscription, you are also supporting rigorous fact-checking to ensure the words we publish are precise and accurate. And you’re supporting original illustrations, graphics and photos that bring you closer to an advanced laboratory, an ice sheet in Antarctica or a space mission in orbit. You’re helping us craft other types of high-quality journalism as well: Our newsletters are carefully written, edited and curated by staffers you have or will come to know and love. Our Science Quickly podcast is based on original reporting, collaboration with editors and scientists and exacting production.

Subscriptions keep this engine running so we can continue to deliver thoughtful, rigorous and independent science journalism to you. In an era of viral misinformation, this work is crucial. If you value what we do, I hope you’ll consider joining us as a subscriber

Thank you,

Jeanna Bryner, Editor in Chief, Scientific American

Subscribe