Movie Scenery: The Temple of Moloch from the silent film Cabiria (1914) by Giovanni Pastrone. Credits: Scientific American, June 13, 1914
The Movies, 1917 [Slide Show]
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Drama: The original caption says, “‘Shooting’ the photoplay—pursuer and pursued towed by the car that carries the camera.” Scientific American, September 15, 1917
Movies Underwater: Expanding the realm of outdoor films. Unfortunately it is probably that a harmless shark species was set upon and injured in the making of this movie. Scientific American Supplement, August 8, 1914
Nautilus: A prop from the 1916 silent film of Jules Verne’s science-fiction classic, 20,000 Leagues Under the Sea . It couldn’t move but it could submerge to a depth of 30 feet. ... Scientific American, July 22, 1916
Sinking Submarine: The prop-master’s art on display, aided by a lot of real water, depicts the last gasp of a submarine. Scientific American, September 2, 1916
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Movie Scenery: The Temple of Moloch from the silent film Cabiria (1914) by Giovanni Pastrone. Scientific American, June 13, 1914
Drying Film: Films used to be made from film—long strips of negatives were photographed and developed. The fragile film was rinsed off and dried on these giant drums. Scientific American, December 8, 1917
Clean Movies: Film for movies was carefully washed to get rid of all of the developing chemicals. Scientific American, December 8, 1917
Special Effects: It takes a lot to impress us in 2017. These stop-motion toys were probably considered quite charming in 1917. Scientific American, December 29, 1917
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Action! Sometimes the actor is the director. This may be Harold Lloyd setting up a scene. Scientific American, May 5, 1917
Camera Crew: Sometimes there is no second take, if the scene is vastly complex and expensive. Multiple cameras were used to make sure some of it ended up on film. Scientific American, September 15, 1917
The oldest moving picture known is a 2.11-second clip from 1888: Roundhay Garden Scene. Since then the art and science of movies has expanded to include the full range of storytelling tricks that we can recognize in our movies. These days images are captured—and sometimes completely fabricated—by advanced digital technology, but the stories are the same: “the old universal truths ... love and honor and pity and pride and compassion and sacrifice” (William Faulkner, Stockholm, 1950). Here, from the Archive of Scientific American, are a few snapshots from the movies from a century ago.
This article was originally published with the title "The Movies, 1917" in Scientific American 316, 5, (May 2017)
ABOUT THE AUTHOR(S)
Dan Schlenoff was a contributing editor at Scientific American and edited the 50, 100 and 150 Years Ago column for one seventh of the magazine's history. Credit: Nick Higgins