Dissecting the Magic behind the Looking Glass

You don’t understand mirrors as well as you think

Join Our Community of Science Lovers!

This article was published in Scientific American’s former blog network and reflects the views of the author, not necessarily those of Scientific American


There is something deeply disconcerting about mirrors. The myriad reflecting surfaces that surround us in our everyday lives help us conduct many necessary tasks, such as applying makeup, shaving, or driving a car. But despite our constant use of mirrors, our nervous systems remain surprisingly ill-equipped to grasp the mechanics of refraction and reflection. Some magic tricks take advantage of such perceptual limitations, and are the origin of phrases such as “it’s all smoke and mirrors,” or “it’s all done with mirrors.”

Kokichi Sugihara, a mathematical engineer at Meiji University in Japan, has exploited our poor understanding of mirrors to create new and spectacular varieties of perceptual magic. Our May/June Illusions column features mirror-based illusions by Sugihara and others.

Here we provide you with step-by-step instructions to re-create some of Sugihara’s head-scratching mirror illusions with paper, glue and scissors.


On supporting science journalism

If you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.


Credit: Kokichi Sugihara

The garage roof covering the little toy car changes shape when you look at its mirror reflection! In reality, it’s a trick of perspective. Build your own paper model of Sugihara’s ambiguous garage roof using the diagram above (you can print it from this template). Part A is the actual roof, and part B a support structure that will maintain the correct roof angles in the model. Cut around the outlines of A and B. There are three types of inner lines: solid lines depict mountain folds, dashed lines depict valley folds, and dash-dot lines show where to glue A and B together.

Credit: Kokichi Sugihara

How can you use a mirror to vanish half an object? To make your own half-disappearing hexagon, follow the diagram above (you can print it from this template). Part A is the upper half of the object, which you will need to fold along the two edges, forming 120-degree angles. Part B, or the lower half of the object, is a flat structure and should not be folded. Glue both parts together matching the “a” and “b” letters. For the strongest effect, tilt the mirror slightly downward.

Susana Martinez-Conde is a professor of ophthalmology, neurology, and physiology and pharmacology at SUNY Downstate Health Sciences University in Brooklyn, N.Y. She is author of the Prisma Prize–winning Sleights of Mind, along with Stephen Macknik and Sandra Blakeslee, and of Champions of Illusion, along with Stephen Macknik.

More by Susana Martinez-Conde

Subscribe to Support Independent Journalism

Great science journalism requires human expertise, time, effort and creativity. And it costs money. That’s why I and the journalists here at Scientific American hope you’ll join our community.

When you subscribe, you are supporting staff and freelance journalists who are passionate about telling science stories that are true, important and compelling. Our editors and reporters are often experts in their fields, which means they understand the nuances of big discoveries and can untangle the breakthroughs from the hype. With a subscription, you are also supporting rigorous fact-checking to ensure the words we publish are precise and accurate. And you’re supporting original illustrations, graphics and photos that bring you closer to an advanced laboratory, an ice sheet in Antarctica or a space mission in orbit. You’re helping us craft other types of high-quality journalism as well: Our newsletters are carefully written, edited and curated by staffers you have or will come to know and love. Our Science Quickly podcast is based on original reporting, collaboration with editors and scientists and exacting production.

Subscriptions keep this engine running so we can continue to deliver thoughtful, rigorous and independent science journalism to you. In an era of viral misinformation, this work is crucial. If you value what we do, I hope you’ll consider joining us as a subscriber

Thank you,

Jeanna Bryner, Editor in Chief, Scientific American

Subscribe