Introduction to NanoLab

Join Our Community of Science Lovers!

This article was published in Scientific American’s former blog network and reflects the views of the author, not necessarily those of Scientific American



On supporting science journalism

If you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.


Today was the first day of the UCLA Art|ScienceNanoLab, a two-week program for high school students at the intersection of art and science. The students are required to blog every day about something that inspires them, so I'm going to try my best to keep up with them. Today was about introductions, getting to know each other and the course, and the other instructors and I all got to share some of our work and to talk about how we combine art and science in our practice. Some of the instructors are trained in art and some in science, but all connect the two in their work in fascinating ways, from Hackteria--Open Source Biological Art to animal-inspired fashion. An interesting video by one of our instructors, Megan Daalder, tells the story about how one of her art projects morphed into an investigation into the psychology and neuroscience of empathy:

I'm really excited to spend the next couple of weeks immersed in this in-between and back and forth world of art and science, and I can't wait to get to know the students better and to see the projects that they come up with!

Christina Agapakis is a biologist, designer, and writer with an ecological and evolutionary approach to synthetic biology and biological engineering. Her PhD thesis projects at the Harvard Medical School include design of metabolic pathways in bacteria for hydrogen fuel production, personalized genetic engineering of plants, engineered photosynthetic endosymbiosis, and cheese smell-omics. With Oscillator and Icosahedron Labs she works towards envisioning the future of biological technologies and synthetic biology design.

More by Christina Agapakis

It’s Time to Stand Up for Science

If you enjoyed this article, I’d like to ask for your support. Scientific American has served as an advocate for science and industry for 180 years, and right now may be the most critical moment in that two-century history.

I’ve been a Scientific American subscriber since I was 12 years old, and it helped shape the way I look at the world. SciAm always educates and delights me, and inspires a sense of awe for our vast, beautiful universe. I hope it does that for you, too.

If you subscribe to Scientific American, you help ensure that our coverage is centered on meaningful research and discovery; that we have the resources to report on the decisions that threaten labs across the U.S.; and that we support both budding and working scientists at a time when the value of science itself too often goes unrecognized.

In return, you get essential news, captivating podcasts, brilliant infographics, can't-miss newsletters, must-watch videos, challenging games, and the science world's best writing and reporting. You can even gift someone a subscription.

There has never been a more important time for us to stand up and show why science matters. I hope you’ll support us in that mission.

Thank you,

David M. Ewalt, Editor in Chief, Scientific American

Subscribe