Ways of Seeing/Ways of Making

Join Our Community of Science Lovers!

This article was published in Scientific American’s former blog network and reflects the views of the author, not necessarily those of Scientific American



On supporting science journalism

If you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.


Art and science have us look at the world in different ways, to see the invisible and imagine the impossible. Yesterday's NanoLab workshops and lab visits brought us through many orders of magnitude and many scales of construction, from single atoms in a graphene sheet observed by home-made microscopes at the pico characterization lab to the precise etching of silicon wafers in the clean lab to building our own microscopes out of $3 webcams.

When does hacking become precision engineering? When do microscope images become art? We draw a line between science and art (even in the title of the Sci|Art NanoLab), but that line is fuzzy and crossing or ignoring the boundary altogether can be a lot more fun than enforcing the separation. We spent the day making images, learning about optics, building machines, meeting and observing scientists and artists and people in between. Are we doing art or science?

Our students are learning right on top of this fuzzy boundary, and the difference doesn't seem to be that important to them. I hope that this is a sign of a generational trend, that in the future we won't feel pigeonholed by a discipline or a university department (a feeling that most of the instructors--just ten years older than the students--describe when talking about their education and their work). I'm not sure how it will all turn out, but perhaps growing up at this boundary, seeing and making in-between, will make the "two cultures" obsolete.

Christina Agapakis is a biologist, designer, and writer with an ecological and evolutionary approach to synthetic biology and biological engineering. Her PhD thesis projects at the Harvard Medical School include design of metabolic pathways in bacteria for hydrogen fuel production, personalized genetic engineering of plants, engineered photosynthetic endosymbiosis, and cheese smell-omics. With Oscillator and Icosahedron Labs she works towards envisioning the future of biological technologies and synthetic biology design.

More by Christina Agapakis

It’s Time to Stand Up for Science

If you enjoyed this article, I’d like to ask for your support. Scientific American has served as an advocate for science and industry for 180 years, and right now may be the most critical moment in that two-century history.

I’ve been a Scientific American subscriber since I was 12 years old, and it helped shape the way I look at the world. SciAm always educates and delights me, and inspires a sense of awe for our vast, beautiful universe. I hope it does that for you, too.

If you subscribe to Scientific American, you help ensure that our coverage is centered on meaningful research and discovery; that we have the resources to report on the decisions that threaten labs across the U.S.; and that we support both budding and working scientists at a time when the value of science itself too often goes unrecognized.

In return, you get essential news, captivating podcasts, brilliant infographics, can't-miss newsletters, must-watch videos, challenging games, and the science world's best writing and reporting. You can even gift someone a subscription.

There has never been a more important time for us to stand up and show why science matters. I hope you’ll support us in that mission.

Thank you,

David M. Ewalt, Editor in Chief, Scientific American

Subscribe