Call for Proposals: “The Protectors” A Documentary Series by Scientific American

Scientific American is seeking original short documentary film proposals that spotlight the dedicated scientists working on the front lines of wildlife recovery. We are looking for cinematic, character-driven narratives that chronicle the research and restoration of endangered species in the United States and beyond.

Up to $80,000 USD will be awarded to support the production of a commissioned short film which will be distributed on Scientific American. 

The Vision

We aren’t just looking for nature documentaries – we are looking for human stories. We want to see the grit, setbacks, and triumphs of conservation. We are specifically prioritizing stories that feature:

  1. Visual and Emotional Storytelling: Compelling, high-quality cinematography that captures the beauty of the species and the intensity of the field research.

  2. Overcoming Adversity: Stories of scientists navigating systemic challenges, cuts to federal funding, remote environments, or the complex hurdles of species recovery.

  3. Diverse perspectives: In our commitment to inclusive storytelling, priority will be given to proposals that center researchers from historically marginalized communities.

Project Scope

Subject: Endangered animal populations (land, air, or sea) anywhere in the world.
Format: Short documentary between 15-30 minutes
Submission and Deadlines: 

  • Budget Amount: A production allotment of up to $80k will be awarded to the selected project.

  • Proposal Deadline: 8 March 2026 11:59PM Eastern

  • Selection Notification: By April 2026

  • Final Delivery: 1 December 2026

This proposal will be judged by the editorial staff at Scientific American, who will also provide mentorship and regular check-ins throughout the process.

Apply here. 

FAQ

  • What can I use this money for? 

    • Funds can be used for any research, production, and post-production needs, including director or producer fees.

  • What are we looking for in a project?

    • A standout proposal shows us you have a real plan to get into the thick of it. We want to see how you’ll capture the quiet, visual beauty of these animals and the tactile, often messy reality of the research. What is the "mountain" these scientists have to climb? Show us the specific tension they face in the field and how that struggle translates to the screen. Most importantly, we want to feel the heartbeat of the story: the deep, personal connection between the researcher and the species they’ve dedicated their life to saving. If you can show us the stakes and the emotional investment behind the science, you’re on the right track.

  • My project is already in development (or partially filmed). Can I still apply?

    • Yes! We’re interested in great stories, no matter where they are in the process. Whether you’re just starting to sketch out your vision or you’ve already been in the field and have hours of footage, we want to see it. If you are already in production, please share any early materials with us. It helps us see the potential of the film and understand how we can help you cross the finish line.

  • This researcher studies an endangered animal population outside of the United States. Is that ok? 

    • Absolutely. While we have a natural affinity for stories based in the U.S. because of where our audience is centered, we know that the fight for conservation has no borders. If you have a powerful story about an endangered population in a remote corner of the world or a scientist doing groundbreaking work in their local community abroad, we want to hear about it. 

    • The only practical thing to keep in mind: since our primary audience is English-speaking, we just ask that any project not filmed in English be delivered with thoughtful, accurate English subtitles. Beyond that, if the story is urgent and the science is sound, the location is no barrier. 

  • Who owns the final film?

    • The completed film will be owned and distributed by Scientific American. This is a work-for-hire production and will be subject to regular check in and review to provide feedback. The director will have the right to showcase/screen the film independently.