How the Ocean Sustains Complex Life

Detailed data about a host of physical and chemical forces are shaping a new view of the sea

Dataviz detail showing global variation in sea temperature, salinity, oxygen, nitrogen, light penetration and surface color.

Skye Morét

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Search “ocean zones” online, and you will see hundreds of illustrations that depict the same vertical profile of the sea. The thin, top layer is the “sunlight” or epipelagic zone, which receives enough light for photosynthesis by phytoplankton, algae and some bacteria. Below it is the twilight zone, where the light fades but is still strong enough for some animals to see by and where many animals make their own light through bioluminescence. Next is the midnight zone, with no measurable light, followed by the relentlessly cold abyss. Finally, there are the incredibly deep seafloor trenches known as the hadal zone, named after Hades, Greek god of the underworld.

In this classic view, the amount of light and the water pressure—which increases steadily with depth—largely define which creatures live where. Those factors are important, but so are water temperature, salinity, amounts of oxygen and nitrogen, and the changing currents. Data collected worldwide have revealed that ocean dynamics, and ocean life, are far more complex than we thought, surprising us again and again as we explore.

Credit: Jen Christiansen


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Credit: Skye Morét; Source: “The Global Importance of the Southern Ocean and the Key Role of Its Freshwater Cycle,” by Michael P. Meredith, in Ocean Challenge, Vol. 23; 2019 (reference)

Credit: Jen Christiansen

5 data columns show global variation in sea temperature, salinity, oxygen, nitrogen, light penetration and surface color.

Credit: Skye Morét

Mark Fischetti was a senior editor at Scientific American for nearly 20 years and covered sustainability issues, including climate, environment, energy, and more. He assigned and edited feature articles and news by journalists and scientists and also wrote in those formats. He was founding managing editor of two spin-off magazines: Scientific American Mind and Scientific American Earth 3.0. His 2001 article “Drowning New Orleans” predicted the widespread disaster that a storm like Hurricane Katrina would impose on the city. Fischetti has written as a freelancer for the New York Times, Sports Illustrated, Smithsonian and many other outlets. He co-authored the book Weaving the Web with Tim Berners-Lee, inventor of the World Wide Web, which tells the real story of how the Web was created. He also co-authored The New Killer Diseases with microbiologist Elinor Levy. Fischetti has a physics degree and has twice served as Attaway Fellow in Civic Culture at Centenary College of Louisiana, which awarded him an honorary doctorate. In 2021 he received the American Geophysical Union’s Robert C. Cowen Award for Sustained Achievement in Science Journalism. He has appeared on NBC’s Meet the Press, CNN, the History Channel, NPR News and many radio stations.

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Kelly J. Benoit-Bird is science chair and senior scientist at the Monterey Bay Aquarium Research Institute, where she studies pelagic ocean ecosystems.

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Skye Morét is an information designer and chair of the Collaborative Design + Design Systems MFA/MA program at the Pacific Northwest College of Art at Willamette University.

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Jen Christiansen is acting chief of design and senior graphics editor at Scientific American, where she art directs and produces illustrated explanatory diagrams and data visualizations. She is also author of the book Building Science Graphics: An Illustrated Guide to Communicating Science through Diagrams and Visualizations (CRC Press). In 1996 she began her publishing career in New York City at Scientific American. Subsequently she moved to Washington, D.C., to join the staff of National Geographic (first as an assistant art director–researcher hybrid and then as a designer), spent four years as a freelance science communicator and returned to Scientific American in 2007. Christiansen presents and writes on topics ranging from reconciling her love for art and science to her quest to learn more about the pulsar chart on the cover of Joy Division’s album Unknown Pleasures. She holds a graduate certificate in science communication from the University of California, Santa Cruz, and a B.A. in geology and studio art from Smith College. Follow Christiansen on Bluesky @jenchristiansen.com

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Scientific American Magazine Vol 327 Issue 2This article was published with the title “Dynamic Seas” in Scientific American Magazine Vol. 327 No. 2 (), p. 65
doi:10.1038/scientificamerican0822-65

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