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Poem: ‘The Golden Record’

Science in meter and verse

A dark blue arm emerging from the bottom reaching towards a golden disc within a celestial background.

Masha Foya

The Golden Record

isn’t fully golden. It’s two gold-plated copper discs
engraved with Earth’s sights and sounds
and welded to Voyagers 1 and 2.
Back then I saw their process on the news
and I wanted to be on that committee—
one of the people who decided
what aliens should hear:
the ocean, bird caws, violins,
a baby’s laugh, hyenas, volcanoes,
traffic, fifty-five languages and six
full seconds of mud pots glugging.
Elementary-school me wouldn’t
have pushed the mud pots,
maybe leaned into koalas and monorails,
but still, I wanted to be Carl Sagan’s heroic secretary
who canvassed all of Ithaca and beyond
to rally native speakers fast, pre-Internet,
and carve their voices into metallic grooves
in that I-want-to-teach-the-world-to-sing spirit
that floated like a rainbow tie-dyed gasoline spill
on the surface of the dark water of the 70s.

On the assumption aliens had eyes,
the committee included pictures: cell division,
a grape-picker, mushrooms, x-rays, rickshaws,
a woman licking a chocolate ice cream cone,
a man grimly eating a sandwich, and
another man drinking from a pitcher as
if he had been lost in the desert for days,
an unpleasantly voracious triptych that might
make a more refined life-form wince.


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The records are still out there
more than 11 billion miles from Earth and
40,000 years from another planet,
not even close to each other in interstellar space.
Along with a needle and hieroglyphic instructions
telling them to play it at 16⅔ speed,
they’ll float on with their hosts indefinitely,
until they break apart in the dark
or stop transmitting and become,
officially, space junk.

Even now, I think I know
what people want to hear. Sometimes
I give them what I think they want to see:
the breathing, thinking messy mammal
hidden and refracted into
librarian, scientist, polyglot-wrangler,
frozen smile even bigger than that
Malaysian father holding his daughter,
eternally happy in a picture floating in the dark.
In my head, I consult with a committee constantly.
Does this sound like static? Are these
a code or just random beeps?

I used to believe if you packaged it just right,
anyone could understand you, record player or not.
We’ll be gone before the gold shows up
on what passes for a cosmic doorstep
but there’s still a chance the aliens might understand
we were more than just part of the machinery.

Jennifer Blackledge is a Detroit-area poet who works in the automotive industry. She was awarded the 2025 Zócalo Public Square Poetry Prize. Her work has been published in JAMA, Rattle, ONE ART, I-70 Review, Kestrel, and elsewhere.

More by Jennifer Blackledge
Scientific American Magazine Vol 335 Issue 3This article was published with the title “The Golden Record” in Scientific American Magazine Vol. 335 No. 3 (), p. 89
doi:10.1038/scientificamerican102026-39FVwJ2Fve7fycf5wsoDRM

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