This article was published in Scientific American’s former blog network and reflects the views of the author, not necessarily those of Scientific American
There's a fascinating science art exhibit going on at Ironton Gallery in Denver, Colorado through the 23rd of February. It features paintings by Kevin Sloan, whose work explores the tension between the natural world and what most would call the unnatural, highly altered man-made world (I would argue, and perhaps he would too, that it's quite natural for organisms to alter their environment, but that's another story). His paintings rival the great natural history artists like John J. Audubon as elegant descriptions of nature, but add confusing elements from our modern lives that feel out of place in such a formal, classical painting.
It's brilliant, if you think about it, because just as the painters of the Age of Discovery set about to illustrate and make sense of their world, Sloan sets out to do the same in ours, rightly imposing the artifacts of our everyday existence upon a former world, both simple and elegant. What is more foreign to us, a roseate spoonbill or an extension cord? Which rightly belongs within the borders of a formal picture frame? And which elements will be left to observe in 1000 years? Sloan's subjects balance awkwardly between these questions, making the best of their situations. And frankly, I think they pull it off with grace and charm.
If anyone is in the Front Range, I highly recommend making a special trip to Ironton Gallery to check it out:
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The Naturalist's Notebook: New Paintings by Kevin Sloan
exhibit through February 23, 2013
Ironton Gallery and Studios
3636 Chestnut Pl
Denver, CO
