Forensic Astronomer Dates Monet Vision

Texas State University astronomer Donald Olson combined solar, tidal and weather data to identify the likely moment of the image in the Monet work Impression, Sunrise    

 

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An aspect of Claude Monet’s famous painting Impression, Sunrise has long been a mystery. The canvas depicts pink morning light reflecting off the harbor in the Normandy coast port of Le Havre. The work gave the Impressionist movement its name, yet scholars have debated exactly where and when it was made. Now, thanks to Texas State University forensic astronomer Donald Olson, we know the answer: November 13, 1872, at 7:35 A.M.
 
Monet himself dated the painting to 1872 but records of his travels suggested 1873 might be more accurate. The hazy colors and loose brush strokes make it difficult to tell the season depicted. Some art historians even argued that Impression, Sunrise is actually showing a sunset.
 
Olson analyzed angles and views in vintage photographs and period maps of Le Havre to determine the exact hotel room Monet painted in. He then calculated the sun’s movements as seen from the room, as well as the times of the tides. This information told him when boats matching those in the painting might have been in harbor with the sun in the right position. Combining all this data with weather reports, Olson was able to pin down the timing of Impression, Sunrise. You could say Olson is right on the Monet.
 
—Clara Moskowitz
 
[The above text is a transcript of this podcast.]

Clara Moskowitz is chief of reporters at Scientific American, where she covers astronomy, space, physics and mathematics. She has been at Scientific American for more than a decade; previously she worked at Space.com. Moskowitz has reported live from rocket launches, space shuttle liftoffs and landings, suborbital spaceflight training, mountaintop observatories, and more. She has a bachelor’s degree in astronomy and physics from Wesleyan University and a graduate degree in science communication from the University of California, Santa Cruz.

More by Clara Moskowitz

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