Jellyfish in Motion

Animation shows how a moon jelly propels itself using spinning wheels of water

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Animation by Eleanor Lutz

For an article in the May issue of Scientific American, Eleanor Lutz—with input from Bradford J. Gemmell, a marine biologist at the University of South Florida—developed a series of illustrations that demonstrate how jellyfish manipulate water pressure to alternately pull and push themselves through water. 

If you're familiar with Lutz's captivating animated GIFS, you'll see why I couldn't resist asking her to create an animated jellyfish as well. In the static print version, the focus is on water pressure. In this motion version, Lutz represents water flow direction and speed. As the jellyfish flexes and contracts its muscles, a donut of spinning water—called a vortex—rolls downwards then up under the bell edge. This view shows a cross section of that vortex ring as it rolls down over a stylized Aurelia aurita moon jelly (pink). The red zones represent the fast spinning core of the slower-spinning primary vortex (yellow). A secondary, weaker vortex (blue) spins off in the opposite direction. Above the bell, the yellow vortex contributes to a relatively weak pressure zone, pulling the critter forward. Once under the bell, the residual faster-moving core acts like a paddle wheel, pushing a water jet in between them and up underneath the jelly, providing an extra boost.


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For technical details on jellyfish biomechanics, see "Exploring vortex enhancement and manipulation mechanisms in jellyfish that contributes to energetically efficient propulsion" by B. J. Gemmell, J. H. Costello and S. P. Colin, and "Suction-based propulsion as a basis for efficient animal swimming," by B.J. Gemmell, S. P. Colin, J. H. Costello and J. O. Dabiri.

Interested in more jellyfish imagery? Check out the mesmerizing video in Jennifer Frazer's post on a recently discovered deep sea jelly, throught to belong to the genus Crossota.

Jen Christiansen is acting chief of design and senior graphics editor at Scientific American, where she art directs and produces illustrated explanatory diagrams and data visualizations. She is also author of the book Building Science Graphics: An Illustrated Guide to Communicating Science through Diagrams and Visualizations (CRC Press). In 1996 she began her publishing career in New York City at Scientific American. Subsequently she moved to Washington, D.C., to join the staff of National Geographic (first as an assistant art director–researcher hybrid and then as a designer), spent four years as a freelance science communicator and returned to Scientific American in 2007. Christiansen presents and writes on topics ranging from reconciling her love for art and science to her quest to learn more about the pulsar chart on the cover of Joy Division’s album Unknown Pleasures. She holds a graduate certificate in science communication from the University of California, Santa Cruz, and a B.A. in geology and studio art from Smith College. Follow Christiansen on Bluesky @jenchristiansen.com

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